Several characters are introduced clearly to induce tears, and Teresa (Kaya Scodelario) seems inserted only to serve as a love interest with no other obvious narrative purpose. The actors do not push the characterizations beyond those basic archetypes either, though it is heartening to see a hint of diversity. “The Maze Runner”’s characters, outside of Thomas, aren’t quite as nuanced or interesting and mostly serve to fulfill basic archetypes found in teen movies.
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When his actions unleashed horrors into the Glade, it harkened back to the thrills of “Jurassic Park.” The movie got to be incredibly violent (the PG-13 rating here is surprising), but it provided enough doubt to question its hero’s motives. It felt like a complete puzzle, and it left me insanely curious to find out more about what the secret behind everything is.Įven better was that its villains and conflicts between characters felt authentic and made me question even the actions of Thomas. Unlike many of the other dystopian YA adaptations released this year (“The Giver,” “The Hunger Games,” “Divergent”), I felt that “The Maze Runner”’s setting felt like a lived-in world with a clear idea of how all of its various elements worked together. The fun of “The Maze Runner” is slowly figuring out how the world it created works and what the rules are, and unraveling all of its secrets. Getting lost in the maze spells instant death come nightfall, and the boys’ purpose is as mysterious as the unseen force that seems to control them. The Glade is surrounded on all sides by a towering maze of walls, blades, ivy and cavernous holes that stay open only during the day. There are strict rules that are not meant to be broken and a well-articulated chain of command, led by Alby (Aml Ameen) and the militant Gally (Will Poulter).
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The Glade turned out to be a Garden of Eden of sorts, full of teenage males who operate and harvest the environment like a commune might. Without memories, Thomas couldn’t verbally explain to me why he was someone that I was to care about he had to demonstrate it. As such, Thomas served as a wonderful entry point into this new culture and experience. Perhaps it was because the film’s protagonist, Thomas (Dylan O’Brien), was thrust into a new environment, the Glade, with his memories wiped. I’m not sure what was different about “The Maze Runner,” but I quickly found myself caring for its cast of characters and their unfortunate predicament.
So many times, I have felt as if I am watching a checklist of events that occurred in pages that I have never read instead of a compelling narrative full of characters that I care about based on what is presented on the screen before me. In the past, I’ve expressed my contempt for all these quick money-grab adaptations that typically feel like fan service for people who’ve read the books.
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“The Maze Runner,” based on a book series by James Dasher, is no different from what has come before in substance it’s set in a dystopian future, everyone looks like a clothing model, the protagonist is destined to change the world, and characters spout silly made-up slang like “the changing,” “grievers,” “gladers” and “keepers.” It is that time of month again, which means that it is time for another YA book to be adapted into a Hollywood blockbuster.
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